Tad Richards' odyssey through the catalog of Prestige Records:an unofficial and idiosyncratic history of jazz in the 50s and 60s. With occasional digressions.
Sunday, August 17, 2008
Battle of the Decades
THE 40s
Rendition Quartet
Eagles Medley
THE 50s
Malcolm Yelvington
Drinkin' Wine Spo-Dee-O-Dee
http://www.youtube.com/watch?v=yGwhUduklyw
THE 60s
Tom Jones
It's Not Unusual
http://www.youtube.com/watch?v=vfaNCRAFuek
THE 70s
Blondie
Heart of Glass
http://www.youtube.com/watch?v=oUG0GjdoGHE
THE 80s
Squeeze
Tempted
http://www.youtube.com/watch?v=rUA7F9j_xzs
9
THE 90s
Corona & Ice Mc
The Rhythm Of The Night
http://www.youtube.com/watch?v=lv6xxEF4hdo
This one skews heavily toward the whippersnappers (sorry, fogeys!), starting with a fast elimination of the Rendition Quartet, whose number had already finished by the time I got the 40s channel. Could they really have been singing an Eagles medley in the 40s? Does H. G. Wells know about this? By they time I got to the 40s channel they were playing a barbershop harmony quartet, so I'm guessing the Rendition Quartet was more of the same, and maybe so retro that they sounded retro even singing Hotel California. Or maybe "Eagles Medley" means something totally different. Maybe I don't care.
I keep waiting for that 90s song that will blow me away and convert me to whippersnapperdom. This isn't it. Corona - nice voice. Song...if I had to listen to her sing "this is the rhythm of the night...night...night..." once more.....
In spite of someone commenting on Squeeze's video "people who like this song are gay,queer, geekish and dorkish and lesbian!!!!!!!!!!!!!!!!!!!!!!!!! " I like this song. But I don't love it. And I'm sure Malcolm Yelvington was a fire-breathing young rockabilly when he first recorded this song, but age has lost him his edge. It's still one of the all-time great songs.
Tom Jones in second place? Well, I really liked this song when it first came out, before Tom Jones became...well, Tom Jones. (To my credit, I never liked Engelbert Humperdinck.) Listening to it now, he sounds like...well, Tom Jones.
Blondie's far and away the best of a weak field, but she might have been first in a strong one, too. Well, not a really strong one. But she's smart, cool, self-possessed, and hip. She's probably the template for the emotion-dead singers who came after whom Alex keeps voting for her, but that's not her fault. And a good song, probably her best.
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