LISTEN TO ONE: Montono Blues
This is Coleman Hawkins' swan song to Prestige, and it's hard to imagine a better way to go than with Kenny Burrell. I've written extensively about both of them, and there's not much more to add, except that they mesh, and make beautiful musical together.
Hawkins comes in about halfway through the session, and is featured on"Montono Blues," "I Thought About You," "Las Palabras," and "It's Getting Dark."
The album is about evenly divided between standards and Burrell compositions, with one interesting choice--a tune that would become a standard of the jazz repertoire, but was only just being introduced. "Tres Palabras," by Cuban composer Osvaldo Farrés, had first been recorded in Cuba in 1943, but had never had a norteamericano rendition until 1962, when two things happened, probably unrelated.
First, Farrés and his wife left what had become Fidel Castro's island, never to return. They settled in New York, where they became known to the New York music community--Cuban-born Chico O'Farrill, long a part of the New York music scene, was already an admirer, having record "Las Palabras" in 1958. But also in 1962, on the West Coast, Nat "King" Cole was making his third album of Spanish-language songs. More Cole Español. Cole was already an admirer of Farrés--two of his songs had been featured on 1958's Cole Español.
Cole's vocal version (followed not long after by Johnny Mathis) and Burrell/Hawkins' jazz take brought "Las Palabras" to the attention of mainland artists, and it became a standard, recorded by many--Bill Perkins, Tete Montoliu, Joe Henderson and Bobby Hutcherson, to name a few. Whatever Burrell's reason for recording it. the promotions depart of Prestige knew how to promote it--if not to spell it. The album cover heralds "a new BOSSA NOVA - Tres Talbras." The liner notes on the back also give the tune as "Tres Talbas," but the label on the disc itself has the name correct.
The liner notes, by Robert Levin, also give a little plug to the Prestige philosophy of recording. After recounting how, on "Montono Blues, Hawkins
padded over to his recording position in a deceptively disinclined manner after the take was already underway, seated himself next to Burrell and, after Holley's bowed solo, got a nod from Burrell to begin his own...
Levin offers this observation:
Casual jazz sessions such as this frequently produce music of greater and more durable quality than do sessions of extensive preparation and lofty design.
Tommy Flanagan, Major Holley and Eddie Locke were Hawkins' regular group in these days. Flanagan had also been a member of teenager Burrell's first group, back in Detroit. Ray Barretto, perhaps added for the Latin numbers, is always an asset in any context.
Bluesy Burrell was a Moodsville release. "Out Of This World / Montono Blues" and "I Thought About You / It's Getting Dark" were the two 45 RPM singles. The album was re-released on Prestige in 1968 Ozzie Cadena produced.
1 comment:
Another good one, Tad. Thanx! Yes, the addition of Ray Barretto gives it that extra picante.
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