Prestige had used Robinson once before, on Al Smith's first album, where he also worked with Robert Banks, but this is his real wheelhouse. He was a Chicago bluesman, playing with Freddie King, Little Walter, Howlin' Wolf and Harris's nephew Magic Sam, before retiring to a certainly blues-traditioned career: running a Chicago neighborhood candy store. Blackmon was also from Chicago, and considered a reliable session man for blues recordings. Between the three of them, they bring pure Chicago to Englewood Cliffs, in the style of Magic Sam or Jimmy Reed, but very much his own man.
The songs are mostly by Harris. There's one by Armand "Jump" Jackson ("Angry Lover"), another Chicagoan, and one by producer Ozzie Cadena ("Things Are Different Baby"). There's an unusual instrumental ("Jake's Cha Cha"), a slower and soulful instrumental
("Mouth Harp Blues," which is Robinson's even more than Harris's, and has some nice piano by Banks), and a lot of solid Chicago blues, the sound that had fired up the rhythm and blues charts in the 1950s, and would rule the world as it began to be discovered by a younger generation in far-off England. Shakey Jake would never cash in on the popularity of Chicago blues the way some of his contemporaries did, but he would have a solid career, as musician, nightclub owner and crapshooter.
Mouth Harp Blues is the title of the album.
Listening to Prestige Vol. 2, 1955-56, and Vol. 3, 1957-58 now include, in the Kindle editions, links to all the "Listen to One" selections. All three volumes available from Amazon.
The most interesting book of its kind that I have ever seen. If any of you real jazz lovers want to know about some of the classic records made by some of the legends of jazz, get this book. LOVED IT.
– Terry Gibbs
And Listening to Prestige Vol. 4 is not far off!
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