Tad Richards' odyssey through the catalog of Prestige Records:an unofficial and idiosyncratic history of jazz in the 50s and 60s. With occasional digressions.
Thursday, January 27, 2011
Notes on persona and revision
When I write a poem, no matter how personal it is, when I get it down on paper (or computer screen) and start to revise it, I depersonalize it. The poem may say "I" on the page, but I think "he." I'm aware that the person in that poem is a character I've created, a fictional character--a persona. So when I'm critiquing a poem, I'll always refer to "the speaker," or "the character," or "he" or "she" -- never "you." It's not you any more, no matter how much it may be based on you. It's a character you've created. And as you revise, your responsibility is not to keep that character true to you, but to make that character true to his/her own self.
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