Tad Richards' odyssey through the catalog of Prestige Records:an unofficial and idiosyncratic history of jazz in the 50s and 60s. With occasional digressions.
Saturday, October 03, 2009
Opus 40 in Best American Poetry
An entry in the Best American Poetry blog (it's hard to tell by whom, since the blog is not set up as well as it could be) recounts a visit to Opus 40 -- I'm going to guess it's by Dara Wier, since she's their resident guest blogger right now. Entitled "why going to Opus 40 is a wistfully true okay thing to do," it's wistfully poetic and evocative piece.
Unfortunately, Ms. Wier did not inquire as to whether there were any resident poets at Opus 40, but you can't ask for everything.
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1 comment:
Dear Tad Richards,
Yep, that was me writing about how much I loved stumbling upon and thinking about Opus 40. I'm sorry I didn't know about Opus 40 having resident poets. But I'm interested in knowing more if you feel inclined to tell me.
Best
Dara Wier
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